These are:īased on your skills we will assess your suitability for a particular role during the application process. At Mr.X we have a number of job classifications within our artist team structure. The details above provide an outline of the key requirements for candidates to apply for a role in this department. Post-secondary education in related discipline.Experience in compositing visual effects for feature film or high-end episodic.Experience with lighting/rendering, or other parts of the VFX processĪny of the following experience is a great advantage:.Experience with Nuke Python API/gizmo creation/NDK.Ability to work autonomously and meet deadlinesĪny of the following technical skills is a bonus:.Strong understanding of Nuke (experience with similar software such as Fusion or Flame also considered),.Must have bird and feathered creature animation on your reel. Project starts October 23rd and goes for 1-2 weeks. Some post-secondary education in related discipline would be considered an asset. Must be eligible to work in the US without visa sponsorship (both during and upon completion of the program) Must reside and have work authorisation without limitations for the UK or EU.Stereo and/or on-set production experience is desirable.Candidate must be able to work within a team environment,.Strong communication skills are critical,.The candidate must have the ability to work autonomously and meet deadlines,.Must present a show reel highlighting candidate's eye for colour, lighting, attention to detail and composition,.Must have thorough knowledge and ability to use the tools that produce Digital Composites such as NUKE, Fusion, Flame and Photoshop,.Must have at least four years experience in compositing digital visual effects for feature film,.collaborate and engage with other department leads for efficient communication.innovate new methodologies to streamline workflows.solve complex problems and determine solutions.make decisions to drive progress on a project.Passionate about building and leading teams of creatives.Producing a final overall look that far exceeds client expectations.Performing tasks such as tracking, matte extraction, colour correction, paint fixes, roto and assembly of live action and 3D elements,.Working closely with Compositing Supervisor to determine best approach to solve compositing challenges and develop final look,.

If you have a passion for compositing and can use Nuke then we want to hear from you! Since the start of my cinema studies (12 years ago now), i've always focus on learn all about the postproduction.Lead Compositors are responsible for a wide range of compositing tasks, such as tracking, matte extraction, color correction, paint fixes, roto, and CG/2D element integration in service to delivering the final image. Must have at least four years experience in compositing digital visual effects for feature. I try to work on that beside my Digital compositor job. Lead Compositors are responsible for a wide range of compositing tasks, such as tracking, matte extraction, color correction, paint fixes, roto, and CG/2D element integration in service to delivering. I also focus on making some documentaries one day, that are a huge passion for me. I'm very passionate about cinema and arts, so i'm always happy to give my contribution to new creations. But i'd also love to bring all my experience and my eye to the teams i will work with in the future. So i plan to continue to learn a lot about compositing and acquire new visual effects skills.

Today, it's been 5 years that i work on projects for differents studios (Mikros Image, Digital Factory, CGEV, Les Monstres.) in Paris and Montreal. Editor assistant on TV shows and documentaries. Digital compositor and 3D renderer on Feature length movies, documentaries and 3D TV shows. Georges Méliès animation school, 3D art and VFX (Orly) Bachelor of Audiovisual and Performing Arts (Paris III) EDUCATION: - Associate Degree in Audiovisual, Editing and postproduction (BTS, Boulogne-Billancourt).

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